2015年的步履越来越近，带着对新岁的祝福，由浙大东军事和政院学书局推检举拆穿行的正版变形金刚IDW体系漫画今起开首在AC模玩网紧俏预售！此番预售的合集内容为四卷。副标题分别是：第风流倜傥卷 为了全人类第二卷 国际风波第三卷 霸天虎的报仇第四卷 玉石白之心由果壳阅读&AC模玩网诚意贡献为回报广大迷友对AC模玩网的帮忙，特在二〇一六新岁赶来之际，额外向大家派送新年祝福===1、由张旺先生绘制的《传世佛魔》舞曲金刚户神4开覆膜大海报一张。2、由AC模玩网独家出品的“怀旧译制动漫歌唱家恭喜马年大年”2开大海报一张。依照订单顺序送完停止。预订链接： Transformers, Volume 1: For All Mankind-----------------------------#1–6Bonus material includes: art from all covers, including design sketches from Don Figueroa.自小编灭绝灭行动后已长逝两年的年月，地球已然重新建立，汽车人尚潜伏在地球上，变形金刚传说传说的又三个壮烈时代将在上马！广受美评的作家迈克?Costa（MikeCosta）执手一流艺人戏剧家唐?菲格罗亚（Don Figueroa ）联袂构建IDW公司二零零六年最强之作——将在开展的变形金刚六年巨制的开始比赛之作！It's been three years since the devastating events of All Hail Megatron. The Earth has been rebuilt, the Autobots are in hiding, and the next great era in the Transformers saga is about to begin! Critically acclaimed writer Mike Costa is joined by superstar artist Don Figueroa for IDW's biggest book of the year - the launch of the first ongoing Transformers title in five years!付加物音信开本：16开页数：152页--------------------------The Transformers, Volume 2: International Incident--------------------------#7–12Bonus material includes: art from all covers, including design sketches from Don Figueroa.由于小车人和观天会联手对抗他们一同的仇人霸天虎，霸天虎也选拔在地球上缔结他们温和的联盟。可是，壹位强盛的长官的插手也许将两国的涉嫌升格为大战关系！小车人能在不揭露自个儿的情况下阻止这一场国际事件呢？As the Autobots and Skywatch come together against a common enemy, the Decepticons choose to forge their own alliance. However, their involvement with a powerful leader could escalate two countries into war! Can the Autobots prevent an international incident, while avoiding exposure?产物消息开本：16开页数：144 页-----------------------The Transformers, Volume 3: Revenge of the Decepticons-----------------------#13–18Bonus material includes art from all covers, including design sketches from Don Figueroa and 马塞洛Matere.仇隙、力量，和秩序促使着威震天行动，亦是她的能量之源，而报仇则是她的靶子！在受到小车人和人类联合对她促成的贴近致命的打击后，威震天终于要杀回来了。 那贰遍，他比早前别的时候都更加结实大、迅捷，更完美无缺！锁定他最愤恨的敌人——未有冗长，未有RTS游戏，也未曾危殆警报——他的报仇烈焰急速围拢小车人，一切都将进而改正！Hate. Power.Order. These are things that drive Megatron! These are his fuel! And revenge is his goal! After suffering a nearly fatal blow at the hands of the Autobots and the humans working together, Megatron is finally set to return. And this time, he's stronger, faster, and more invulnerable than ever before! Targeting his most hated foes, there are no more long speeches. No more games. No more warnings. Revenge comes quickly to the Autobots. And nothing will ever be the same again!成品消息开本：16开页数：148页——————————The Transformers, Volume 4: Heart of Darkness——————————See: The Transformers: Heart of Darkness简单介绍：惊破天回归！贰个重大的苍劲的反面人物剧中人物从病逝空间带着新的目的，新的技术，和全新的军事回归了！GALVATRON RETU昂CoraNS! A major power-house villain returns from the Dead Universe with a new purpose, new powers, and brand-new army!产物音讯开本：16开页数：104页
Shang Zhenchun, an oil painter In 1980, an art training course was given at Humeng Peoples Art Gallery for the first time. My first impression of him was that he was very intelligent and eager to learn and ask questions. He wanted to get the bottom of everything. It is his portrait sketch that impressed me the most. I drew a portrait sketch of a model. I finished it after the class was over at noon. He wanted to borrow it. Mr. Shang, can I borrow this sketch and take a look? I want to examine it at noon, he said. He wanted to borrow it and take a look at it during the short noon break, and returned it to me later. He studied very hard. Ordinary students did not think that way. Later, he drew a picture after my sketch. His sketch was almost identical to mine. He said, Mr. Shang, which one is yours? It took me a long time to find the differences between his sketch and mine. I think his painting exhibition is very original and he is very passionate. The stone carvings of Hug of Love and those outside are especially imposing. When 102 works are put together, what will they look like? It seems that his art form has never been seen in Chinese and foreign art circles.Sun Baoliang, a visitor and national grade one architect Im from Hangzhou. I visit the art museum every time I go to Beijing, because my profession is inextricably related to art. Our creative ideas about our buildings and some creative ideas about plans are related to art. I like our national art the most. The cultural spirit, human touch and social harmony we have proposed are all integrated and manifested in our art. Spatial-calligraphy was near the entrance, so I took a picture of the sculpture. When I went in, an attendant told me that they would soon remove the exhibits. I asked them to let me stay for a while and told them I was not a frequent visitor. I said I wanted to learn about and study this form of art which was new and original. The artist made the characters stand through this means and form of art, and gave us a brand new creative idea and feeling. This is a very good way to promote and develop our national art and culture. We hope there will be more and more such masters in the future. We hope they will create more stunning works and make joint efforts to promote and develop our national culture. Only national art belongs to all people in the world. It is really heart-shaking. Making characters stand is an interpretation of our language and culture. I think it is truly a novel and creative idea. We need such works so much.
Interview Collection Wen Lipeng, a professor at Central Academy of Fine Arts and famous oil painter Hes made a lot of efforts. Whats most important about his studies in Europe is that he not only survived, but also attained academic achievements. Most importantly, he was not overwhelmed by the impact of foreign works. He did not change or lose his style and his pursuit of art per se, and did not go astray. Another important thing is that he never forgets his oriental and Chinese cultural identity in todays society. In other words, as a Chinese, he has assimilated the essence of traditional and contemporary western art into his mind and Chinese art, creating this Spatial-calligraphy. This work is magnificent. Therefore, he has integrated traditional painting and abstract art with conceptual art, which emerged in the post-modern era. These three kinds of art are mutually exclusive. Conceptual artists think traditional art is boring; traditional artists think conceptual art is terrible. He has integrated all these things and infused his own views on life and love into them to create such a mixture of concrete, abstract and conceptual language. I personally think its very good and comforting. It is not easy to for a returned student to attain such achievements. We hope our students will become useful persons. He achieved remarkable results in China after graduation and his works won awards, but he hoped to learn more and go forward. We fully supported him. We often felt depressed because people of our generation had no chance to go abroad. At that time when China was isolated from the outside world, we had never seen original western oil paintings. Although we were university professors and teachers, we actually had never seen original foreign works, especially the most spectacular ones. Only after opening-up did we get the chance to go to study abroad. Therefore, we fully understood young peoples desire to go abroad. It was not easy in 1980s, so we helped them the best we could. He was a student at No. 1 Studio of the Oil Painting Department of Central Academy of Fine Arts. We have four studios. Students at No. 1 Studio mainly study ancient traditional painting and artistic language; students at No. 4 Studio study modern languages. He was not a student at No. 4 Studio. Although not a student at No. 1 Studio, he was very broad-minded. He studied the ideas of No. 1 Studio on the one hand and drew on the ideas of other studios on the other. As a result, he was open-minded in the first place. After the 1985 ideological movement, he could accept new ideas readily and wanted to go abroad especially. He studied very hard abroad and assimilated the essence of German art, especially expressionism, creating such a work of art. I think its pretty good.